There is no doubt that Who’s Afraid of Virginia Woolf?, by Edward Albee, is one of the most iconic plays of the 20th century. And it talks about nothing more than a marriage: the battle royale starring Martha and George is legendary, with some iconic lines. Like when she, after hearing him say he can’t take it anymore, shoots back: “You can take it! That’s why you married me!”. Ingmar Bergman delved into the subject with the masterful series Scenes from a Marriage, adapted for the stage a thousand times. Right now, at the Maldà, the company El Eje is performing a quite successful version of the classic, Escenes d’una separació, with a script by Eva Pauné Martínez. It turns Marianne and Johan into Alba and Joana, a lesbian couple trying to survive in present-day Barcelona. They love and hate each other at the same time, but they can’t live without being together. Mar Pawlowsky and Patrícia Bargalló know how to take their characters to the limit, with the mirror of the creatures created by the Swedish genius as a reflection. An excellent performance.

Happy Community of Madrid Day! An ideal place to settle. One of the most prosperous regions in Europe, unaffected by the north-south split between rich and poor, neither in the region nor in the capital. Thus, the green mountains of the north and the dry countryside of the south have the

Michael Jackson was too tempting a candy for the film industry to escape the trend of musical biopics. But Michael, the newly released story of the king of pop, has come to light with more chiaroscuro than a Caravaggio to navigate the multiple mines contained in the artist’s story in a film that began to take shape after the success achieved in 2019 by Bohemian Rhapsody and that had from the beginning the support of Jackson’s heirs.